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PRAISE
FOR CIRCLES OF CONFUSION
From
Mystery News - April/May 1999—“Circles
of Confusion—an artistic term—is a wonderful
book! Amusing in voice, light and casual; it's an easy read. Henry spins
an interesting plot.... Henry is adept at characterization.... This
is a delightful book—I loved every minute of it! Henry humorously
ends most passages with vanity license plate phrases, and in keeping
with that vein, I have to say Circles of Confusion
was GR8!”
From
The Drood Review—“In
her first novel, April Henry has created a cracker-jack plot that is
intelligent, internally consistent and interesting. She has created
an attractive protagonist and the tale is told in a strong voice that
never drifts toward the cute. The art lore to which Claire is subjected
in her search for the truth is thorough, fascinating and still doesn't
interrupt the plot's pace and development.”
From
the March 21 Eugene Register Guard—“April
Henry, a 39-year-old Portland resident who works in corporate communications,
is attracting attention as a new writer to watch with this fast-paced
debut mystery.”
From
The Mystery Reader—“...Ms.
Henry has designed a worthy plot, then added some unusual twists and
turns.... Circles of Confusion supplies abundant
entertainment and tremendous potential for the continuing Claire Montrose
mystery series.”
From
The Oregonian - February 28, 1999—“A
first time mystery novelist seldom strides onstage with more assuredness
than April Henry. ... On the face of it, Henry's novel is of the popular
mystery subgenre in which a spunky woman comes of age, realizing her
personal potential by solving a crime. But Circles of Confusion
is more than that—it's a deft and often witty story about art
theft, historical guilt and the nature of memory and what is truly valuable
in life. ... Such mysteries often settle for merely being cute. But
Henry's artful writing elevates the story well above formula.
Circles of Confusion is a galloping-fast read—smoothly
written and bright with wit, but also tinged with somber reflections.
There are good characters, a sense of consequences and a competence
with shifting mood that's unusually skillful for a first novel. Henry's
powers of description are formidable.”
From
The Denver Post, February 14, 1999—“There
are many plot twists, all neatly foreshadowed in earlier chapters of
the book, and abundant clues unobtrusively planted throughout the narrative,
as well as a splendid crash course in art history. But the most fun
of all are the chapter endings, each one featuring a vanity license
plate that needs to be deciphered....Want more? BYDBK
From
Publishers Weekly, January 19, 1999—“An
amateur sleuth with an unusual day job debuts in this lively, romantic
mystery....An off-beat, vital first outing.”
Romantic
Times Magazine, March 1999—“Circles
of Confusion is tremendous fun. It's the most adventurous,
humorous and romantic novel since Dame Agatha gave us The Man in
the Brown Suit. You'll be spellbound by Claire's adventures and
will also find yourself envying her romantic interludes. The superb
ending will have you shaking your head and smiling at the same time.
Brava, Ms. Henry, and thank you for some highly diverting entertainment.”
Phillip
Margolin, author of "Wild Justice"—“Circles
of Confusion is a thoroughly entertaining debut mystery.
Claire Montrose is a heroine you can root for.
From
The Poisoned Pen, January 1999—“Wonderful.
This is a real cozy, and likely to score in the Agatha Awards/Macavity
Awards. But more and beyond the clever hook, Henry shows a knack for
characters, a wry view, and research smarts.”
From
Tucson's Clues Unlimited catalogue—“An
appealing, not-too-cute cozy with interesting art forgery lore.”
From
the Salem, OR Statesman Journal, January 17, 1999—“...Circles
of Confusion...[demonstrates] Henry's attention to detail
and her ability to infuse both the mundane and the sensational with
a feeling of reality...Virtually every reader will hope that a [Claire
Montrose] series is, indeed, in the offing, because Henry seems like
anything but a beginner. Her writing is assured and deft, the mystery
well stated, the characters just real enough to capture the reader's
attention without resorting to eccentricity.”
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